NEWS
as of April 24, 2025
Link
to the new version of our website
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New
Modules Superbooth 2025 |
Superbooth
takes place 8-10. May in FEZ in Berlin. Our booth no. is B030 (separate
lodge in the "Bungalow-Dorf"). |
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New
book: Synthesizer Evolution 4 / Modular Greats by Oli Freke |
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GusGus
Doepfer Adventures |
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These are 3 movements done by first creating a sound and then writing something interesting for it. |
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Detailed
information about Dual Filter A-121d |
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Test
A-100 Basic System 3 |
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Vivaldi
with A-100 |
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Now
available: A-117-2, A-121d, A-124-2, A-165-2 |
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subharmonisch (2024, Manfred Miersch feat. Kalma) |
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Manfred Miersch performing live at the
„NODES – Festival für elektroakustische Musik und Klangkunst"
(Festival for Electroacoustic Music and Sound Art).
Akademie der Künste Berlin, Saturday, June 1st, 2024, Excerpt (23min06sec).
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Superbooth
2024 |
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Of course we were present at the Superbooth
2024 and presented these new modules:
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A-124-2
Wasp Filter
(Slim Version) |
A-121d
Dual Filter |
A-117-2
Digital Noise |
A-165-2
Digital Modifier |
A-188-9
High Speed VCO |
release
date:
July/August 2024 |
release
date:
July/August 2024 |
release
date:
June 2024 |
release
date:
June 2024 |
release
date:
unknown |
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Detailed
reports A-130-8 and A-135-5 |
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New
A-100
Modules Winter 2024 |
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New
A-100 Basic Systems A-100BS3 |
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A-135-5
Polyphonic Mixer |
Module A-135-5 presented at the
Superbooth 2023 is now available too:
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Detailed
A-121s report |
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A-100
X-ray |
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In case that you have a problem
with your A-100 system we recommed to X-ray the system at first :-)
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A-100
Modules Summer 2023 |
All new modules presented at the
Superbooth 2023 are now available (except A-135-5):
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Detailed
A-111-3 report |
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Detailed
A-149-4 reports |
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Detailed
reports A-121s and A-138j in Amazona |
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Detailed
report Polyphonic Filter A-105-4 |
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A-100PBK |
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The first A-100 suitcase base cases with
built in 3 octave keyboard A-100PBK will
be shipped in December 2022.
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MKE
Front Panel Kit and Package Offer |
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As of now for the Midi
keyboard electronic kit MKE a suitable front
panel kit is availablle.
And we also offer a MKE
package consisting of MKE electronic kit, front panel kit, keybed
61TP/8O, cable set and power supply.
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New
Album by Ströme |
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Shipping
of the first Stereo Filter Modules A-121s
has started . . . . |
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Modular
Synthesizer Ensemble with A-179-2 |
The Modular
Synthesizer Ensemble published a Youtube video that shows an application
of the light-to-CV module A-179-2: https://www.youtube.com/watch?v=Utg344JLf70
Here you find also links to more videos of the Modular
Synthesizer Ensembles. Mostly A-100 modules are used in the videos.
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Secret
around "Lumavoux" disclosed |
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Reissue
of Allen Strange's "Electronic Music" (book) |
Probably the most comprehensive book about
electronic music generation and especially about modular systems is about
to rise from dead as a kickstarter project.
Details are available here: https://www.kickstarter.com/projects/jasonnolan/allen-stranges-electronic-music
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News
Superbooth
2022 |
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New
Vintage Versions of Modules |
The following modules are now
available also in the vintage version:
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Amazona
Report A-126-2
(German language) |
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Amazona
Workshop MODULAR PATCHES
(German language) |
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Superbooth
2021 |
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Special
Issue SynMag "Working with Modular" |
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Test
Polyphonic A-100 System SynMag |
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A polyphonic A-100 system has been
tested in the German magazine SynMag
(issue #84, February/March 2021, from page 34).
The according video is available on Youtube:
https://youtu.be/5HqfjNGVsDU
Detailed pictures are also available:
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"Das
große A-100-Buch" for free download |
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New
Modules |
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A-130-8
Octal VCA/VC Mixer |
A-133-2
Dual VC Polarizer/
Ring Modulator |
A-135-3
Voltage Controlled
Stereo MIxer |
A-183-4
Quad Level Shifter/
Clock/Gate/Trigger Buffer |
A-174-4
3D Joystick |
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New
Vintage Versions of Modules |
The following modules are now
available also in the vintage version:
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Reissue
A-111-5 |
Module A-111-5 was
out of production many years as the special circuit CEM3394 used
as core of the module was no longer available. Now a clone of the
CEM3394 is available (AS3394).
Therefore we are able to manufacture the module again. Also the
vintage version will be available. The planned release date is
fall 2020.
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This is the link to the complete free English
edition of the BEAT magazine: https://bit.ly/FreeBeat174
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Synthesizer
Module A-111-6 |
Video by Synthanotomy:
https://www.youtube.com/watch?v=yA3jOqlfe3o&t=229s
Patch Examples by
Synthanotomy: http://www.synthanatomy.com/2019/11/doepfer-a-111-6-miniature-180e-synth-voice-is-available-now-sounds.html
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Vintage Versions of A-111-4
and A-140-2 |
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Online
article: "Meet the makers of modular" by Steve O'Hear |
https://techcrunch.com/2019/09/28/meet-the-makers-of-modular
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Demo
video BBC Symphony Orchestra Strings with LMK4+ |
https://www.youtube.com/watch?v=WHyE-9G5_m8
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Slim
Line Modules |
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Superbooth
2019 |
From May 9-11th 2019 Superbooth
took place again in Berlin. Of course we were there and showed
some new modules.
In the following document we have summarized all news we presented at Superbooth.. |
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New
Modules |
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Dark
Energy III Video by Synth Anatomy |
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Superbooth 2018 Modules |
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Workshops
at SchneidersLaden in Berlin |
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Music
with the A-100 |
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DiN56
Dystopia - Parallel Worlds & Dave Bessell
The names of both Parallel Worlds and Dave
Bessell should be very familiar by now to followers of the DiN ambient
electronica label. Bakis Sirros (aka Parallel Worlds) has two solo albums,
Obsessive Surrealism (DiN26), Shade (DiN32) as well as collaborations with
DiN label boss Ian Boddy on Exit Strategy (DiN37) and most recently World
Adapter (DiN48) with Self Oscillate (Ingo Zobel). Bessell on the other
hand has a single solo album Black Horses Of The Sun (DiN47) as well as
his contributions to the two synth supergroup Node releases (Node 2
(DiN44) & Node Live (DiN55)). Of course the duo have already
collaborated before on their 2012 album, “Morphogenic” (DiN41) and “Dystopia”
sees these two musicians continue their sonic dialogue.
Track titles such as “Cipher”, “Mutagen” and “Devoid” as well
as the album title leaves one in no doubt that you are entering a dark and
foreboding sound world. Indeed Bessell quotes the infamous novel “Neuromancer”
by William Gibson as a major influence. Bakis Sirros as ever weaves his
intricate modular rhythms that seem to squirm and writhe underneath vast
slabs of analogue chords that rise and fall like cities. Indeed the album
is very dynamic with complex, almost classical arrangements that
constantly shift under ones feet. Amongst this Bessell introduces some
fleeting guitar work as well as his adventurous analogue physical
modelling sound design. Seeming to inhabit a netherworld between dark
electronica and progressive synth these two musicians have once again
created an album that just doesn’t sound like anyone else out there.
Join them for a unique sonic adventure.
Machines used:
Bakis Sirros: ARP-2600, Doepfer A-100, Concussor, Eurorack modular (with
Make Noise, Intellijel, Mutable Instruments, Waldorf, Cyndustries, Tiptop
audio modules), Serge, Buchla, Blacet/Metalbox/CGS modulars, Oberheim
Xpander, OB-Mx, Waldorf Microwave 1, Microwave XT, Roland System-100, Nord
Modular, Yamaha FS1R, Emu EMAX II, and other sound modifiers, tape echo
& software.
Reviews:
https://synthsequences.blogspot.com/2018/09/parallel-worlds-dave-bessell-dystopia.html
http://www.sequenzerwelten.de/parallelworlds_main.html (in German)
https://www.thenewnoise.it/almanacco-di-domani-3 (in Italian) |
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Now
available: Dark Energy III |
Test
report with sound examples on amazona.de : https://www.amazona.de/test-doepfer-dark-energy-iii-analogsynthesizer/ |
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Dark Energy III
Dark Energy III is a fully analog
monophonic synthesizer with Midi and USB interface.
Essentially it's an enhanced version of the Dark Energy II. These
are the main differences between Dark Energy
II and III:
- VCO has in addition the triangle
waveform available
- no heat-up period of the VCO
- min. eight octaves perfect
1V/octave tracking of the VCO
- separate reset inputs for the two
LFOs
- improved ADSR
- access to additional functions via
pin headers inside the unit for DIY modifications
(e.g. linear
FM, hard sync, soft sync, LFO outputs, ADSR output, all VCO
waveforms, all filter outputs)
The filter is the same as the Dark
Energy II and all other not mentioned functions are the same compared to Dark
Energy II
Price: Euro 479.00
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Video
about GusGus Equipment |
A video that shows in details the equipment used by Biggi of GusGus
is available on Youtube. |
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NAMM 2018
Sonicstate Awards and Video |
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Now
available: new vintage modules A-138s, A-150 and A-151 |
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Now
available: new module series A-111-4, A-150-8, A-173-1/2, A-180-9 |
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Now
available: Low Cost Monster Cases A-100LMS9 and A-100LMB |
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Now
available: Front Panel Set for MBP25 |
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Ströme
Concert Superbooth 2017 |
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Now
available: Trapezoid Thru Zero Quadrature VCO A-110-6, Voltage Controlled
Performance Mixer A-135-4 and Mini Stereo
Mixer A-138s |
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A-110-6 is a so-called Trapezoid Thru
Zero Quadrature VCO. Because of it's unique trapezoid core it's totally
different compared to other VCOs. But the trapezoid core is not the only
specialty: it is also a quadrature VCO and features linear thru zero
frequency modulation.
The term "quadrature" means in this connection that the
oscillator outputs two trapezoid waves with 90 degrees phase shift. The
same as sine and cosine of a standard quadrature oscillator like the A-110-4
or A-143-9. These
waveforms are called TRASIN (trapezoid sine) and TRACOS (trapezoid
cosine).
The term
"Thru-Zero" means that even "negative" frequencies are
generated. But this a bit a misleading term as negative frequencies do not
really exist. "Negative" means in this connection simply that
the TRASIN/TRACOS waves will stop when the linear control voltage reaches 0V
and continue with the opposite directions as the linear control voltage
becomes negative and vice versa.
The
module has two control sections: linear and a exponential. The exponential
section consists of the XTune control, the 1V/Oct input and the XFM input
with the corresponding attenuator XFM. The exponential control voltage is
the sum of these three voltages. The linear section consists of the LFrq
control and the LFM input with the corresponding attenuator LFM. The
linear control voltage is the sum of these two voltages. A dual color LED
is used to display the polarity of the linear control voltage. The pitch of all outputs
is determined by the control voltages of both sections. The
linear section is used to control the pitch in a linear manner. When the LFrq control
(LFrq means Linear Frequency Control) is fully CW the module works like
a normal VCO and the LED lights red. The pitch is then controlled by the exponential
section with the manual Tune control XTune and the exponential frequency control
inputs 1V/Oct and XFM. 1V/Oct is used to control the pitch by a 1V/Oct CV
source (e.g. sequencer or Midi/USB-to-CV interface). XFM is used to apply
an exponential frequency modulation with adjustable depth (e.g. from an
LFO or another VCO). As the LFrq control is turned counterclockwise
starting from the fully CW position the frequency is lowered in a linear
manner until the TRASIN/TRACOS waves (nearly) stop at the center position of
LFrq
(provided that no LFM signal is present). As the LFrq control is moved
from the center towards the CCW position the waves start again but into
reverse direction and the LED turns yellow. When the fully CCW position of
LFrq is reached the module works again like a normal VCO. But
much more exciting is the usage of the LFM input to modify the linear
control voltage by an external control voltage (typically another VCO).
Linear modulation by another oscillator using the thru zero feature in
combination with the trapezoid waveforms generates audio spectra than cannot be obtained from any
other oscillator without
the thru zero function. The reason is that a "normal" VCO will
simply stop as the linear control voltage becomes zero or negative. But a
thru zero VCO will start again with "negative" frequencies as
the the linear control voltage becomes negative.
The other waveforms (triangle, sawtooth, rectangle and sine) are
derived from the TRASIN/TRACOS signals (triangle e.g. simply
by subtracting TRISIN and TRICOS, SAWSIN and SAWCOS by switching the other
waveforms). And all five waveforms are available as
quadrature pairs (i.e. with 90 degrees phase shift).
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A-138s
is a simple but useful 4-in-2 mixing tool. It has four inputs available.
Each input is equipped with an attenuator (Level) and a panning control
that is used to distribute the signal to the left and right output. Beyond
stereo mixing it is equally suited to create variable parallel routings.
For example: Any of the four inputs may be routed in variable intensity to
feed two filters.
You
may regard the A-138s as a smaller version of the A-138m Matrix Mixer.
Inputs
and outputs are DC coupled, i.e. the module can be used for the
mixing of control signals too. Note:
Black versions of the grey knobs used in this module are available as
spare parts. If some of the grey knobs (e.g. Pan) should be replaced by
black ones they can be
swapped easily by the customer. If applicable pay attention to order the knobs with 11.5mm
diameter (A-100KSB
in the price list / section
spare parts).
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Series A-135-4 contains several modules which are used
to built a voltage controlled performance mixer. The modules of the A-135-4 series
can be combined with the (non voltage controlled) mixer modules A-138o/p.
A-135-4A
A-135-4A is the main module. It is very similar to
module A-138p, but with voltage control for all
parameters (except gain).
A-135-4A contains four high quality voltage controlled amplifers (VCA) for each channel: one
for the main level, two for panorama left/right and one for aux. The control
scales for all parameters are linear. Altogether 16
VCAs are included in the module. High end linear VCAs manufactured by Curtis/USA are
used (CEM3381). The 16 LEDs display roughly the amplification of the VCA in
question.
Module A-138o is used as output module for the A-135-4A.
A-135-4A and A-138p can be connected together to the same A-138o to obtain e.g.
four fully voltage controlled channels (A-135-4A) and four manually controlled
channels (A-138p).
A-135-4B
This module is used to route the 16 external
control voltage to the main module A-135-4A. These control voltages are available
for each channel: Level (main loudness), Panorama,
Aux, Mute
Each control voltage has an input socket and a
polarizer control available. That way it's
possible to adjust the depth and polarity of the external control voltage which
affects the parameter in question. If the same CV (e.g. LFO or ADSR) is used
e.g. for two panorama control inputs the result may be the opposite if the
polarizers are adjusted accordingly (i.e. one positive and the other negative).
The external control voltage is added to the voltage that is generated by the
manual control on the A-135-4A main module. The sum of both voltages is used to
control the VCA in question and is displayed with the corresponding LED on the
A-135-4A module.
A-135-4C
Module A-135-4C is a four-fold envelope follower
with ajustable attack and release time for each channel. The main function of
the module is to derive four envelopes from the A-135-4A audio input signals.
These voltages can be used to control parameters of the main module A-135-4A via
the CV input module A-135-4B2. Typical applications are ducking (e.i. the signal
of one channel is used to mute another channel more or less), as well as
compressor and expander functions. For this the desired envelope output of the
A-135-4C is patched to the CV input of the A-135-4B which is assigned to the
parameters that has to be modified by the envelope signal. Intensity and
polarity of the envelope influence to the parameter in question are adjusted by
means of the corresponding polarizer control.
The module has four audio inputs and four envelope outputs available. The inputs
can be normalled to the inputs of the A-135-4A by means of an internal 10 pin
ribbon cable.
The four envelopes generated by the module are displayed by means of LEDs.
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A-100LC1 |
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Low
Cost Monster Cases |
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More
A-100 Vintage Modules |
These modules are now available also as vintage versions:
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Active
Special Editions |
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Now
available: new VCOs A-111-2 / A-111-3, Performance Mixer A-138o/p, Ringmodulator
/ S&H / Slew Limiter A-184-1 , Sine Shaper / VC Crossfader A-184-2 |
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Musotalk:
We built a Eurorack Modular Synthesizer (German language) |
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A-157
Trigger Sequencer |
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A-100SSB
Small Supply Bus |
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A-100SSB
is a combination of power supply and bus board with 8 connectors for A-100
modules.
Planned for applications with
up to 8 modules and a max. current of 380 mA.
A-100SSB is available as ready
built and tested unit and available September
2016. |
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A-100
among the 10 Most Widely Influential Synths Ever |
This
is just to let you know that the A-100 series modules were featured in
Myles Avery's article The 10 Most Widely Influential Synths Ever,
running on Flypaper:
http://flypaper.soundfly.com/discovery/10-influential-synths-ever |
Vintage Versions of these A-100 Modules |
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Black versions of A-100LC Cases |
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Superbooth |
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New
Power Supply A-100PSU3 |
Since
end of 2015 all
A-100 cases -
except the A-100LC3 - are equipped with a more powerful suppy.
The new supply is named A-100PSU3
and has available 2000mA@+12V, 1200mA@-12V and additional
+5V with 4000mA. +5V are no longer required for A-100 modules but
there are many modules from other manufacturers that require +5V.
The additional price for all A-100 cases and systems with one power
supply is Euro 50 (A-100G6/P6/P9/PB/LC6/LC9/LCB). The
additional price for monster cases with two power
supplies is Euro 100 (A-100PMS6/PMS9/PMB). The additional
price for the A-100PMS12 is Euro 200 (4 supplies). The additional
prices include the additional price for the A-100PSU3 and the
additional wiring of the +5V to all bus boards. The new supply is
equipped with a wide range mains voltage input 100...240V. Thus one
has no longer to distinguish between cases for 115V or 230V. Only
the value of the fuse in the mains inlet is different for 115V and
230V versions.
Technical notes:
Internally the A-100PSU3 is a +/-15V switching supply (wide range
input 100...240V for mains voltage) followed by the
classical linear regulation circuit of the A-100PSU2 that generates
the required +12V and -12V. Only the +5V is a pure switching
supply
without linear regulation. We discovered that a pure 12V switching
supply was not good enough for the modular system (especially the
generated noise and the load regulation was not satisfying for all 12V switching supplies we
tried). That's why we added the well-tried linear
12V regulation to the 15V switching supply. As the current for +12V
and -12V is different we will specify in the future the currents for
+12V and -12V separately for all modules. But as a rule each A-100
module consumes less current at -12V compared to +12V. The
Excel planning file contains the detailed current specs for
all A-100 modules:
System Planner (Excel™).
An
existing power supply (A-100NT12 or A-100PSU2) can be
replaced easily by the new A-100PSU3 because the A-100PSU3 has
nearly the same dimensions and the four mounting bolts are at the same
positions. Nevertheless the replacement or installation has to be carried out by
qualified personnel only because the correct wiring of the mains
connection is essential. And it's essential that all parts that
conduct mains voltage (cables, pc board, electronic parts on the pc
board) are mechanically protected against any contact with the human
body (touch-proof, e.g. by using a cover for the power supply). Otherwise there is Danger to Life !
Existing bus boards can be used. There is no need to replace the bus
boards. Only if the +5V supply is required one has to add the
cable(s) that connects the +5V terminal of the bus board(s) to the
corresponding terminals of the A-100PSU3.
Temporarily the A-100 cases will be
available in both versions (i.e. with PSU2 or PSU3). As soon as the
A-100PSU2 are used up only cases with A-100PSU3 will be available.
The cases with PSU2 and PSU3 can be distinguished by the label next
to the mains inlet (mains voltage specification
"100...240V" = A-100PSU3, mains voltage specification
"230V" or "115V" = PSU2).
Even the scope of supply of the A-100
bus boards will change early in 2016. The bus
boards will be equipped in the future with 4 instead of 3
connections cables. Cable #4 is required for the additional +5V connection. The
price for the bus boards with 4 cables will be a bit beyond the
version with 3 cables. The bus boards remain unchanged as they were
prepared from the beginning since 1996 for the additional +5V. Only
an additional cable for the wiring of the +5V is required provided
that the +5V are used.
The following document shows the wiring of the A-100PSU3 with the
bus boards and the mains inlet: A100PSU3_wiring.pdf.
Laymen are not
allowed to carry out these works ! Danger to Life !
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Musik
made with A-100 |
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DiN48 -
Parallel Worlds and Self Oscillate - 'World adapter' cd album
Ingo Zobel (Self Oscillate) and Bakis Sirros (Parallel Worlds)
first started collaborating via the internet in 2004. Their first
album, “Current Flow”, under the project name “Interconnected”,
was released in 2010 on the Belgian VU-US label. Following this a
vinyl EP of ambient tracks called “Mechanic Environments” was
released in 2013 on the Dohkonul record label.
For “World Adapter”, their second full collaborative album, Ingo
and Bakis are using their more widely known aliases of Self Oscillate
and Parallel Worlds respectively. Four years in the making this album
is redolent with the sounds and textures of modular analogue
synthesisers which both musicians are well known for employing in
their music. Ingo uses a large Doepfer / Eurorack system whereas Bakis
creates his complex sonic textures with Doepfer, Serge and Buchla
systems as employed on his previous DiN releases (Obsessive Surrealism
(DiN26), Shade (DiN32), Exit Strategy with Ian Boddy (DiN37) and
Morphogenic with Dave Bessell (DiN41)).
Once their modular improvisations are recorded they are micro-edited
in Ableton Live to form the ten tracks that make up “World Adapter”.
On the track “Legend Silence” they collaborate with the Polish
singer/composer India Czajkowska whose ethereal voice adds a
distinctive flavour to this composition. The album has an IDM flavour,
full of complex modulations and intricate rhythms. The duo then hang
beguiling, simple melodies around these structures to create another
intriguing quality release from the DiN label
soundcloud demo file of all tracks: https://soundcloud.com/ianboddy/world-adapter-demo-song
Machines used:
Doepfer, Euro, Serge, Buchla, MOTM, Moon, Blacet, Metalbox,
RS-Integrator, Technosaurus & Synthesizers.com modulars.
Oberheim
Xpander & OB-Mx.Korg PE1000, MS20, Mono/Poly & Z1. Clavia Nord
Modular, Nordrack2 & Nordrack3. Ableton Live & NI Reaktor
software. Roland System-100, Waldorf Microwave and various other
string machines, analogue keyboards, tape echoes, reverbs, CV
modifiers and generators.
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Drøn has
released their latest album "Comm" on the US label Carpe Sonum.
It features 14 tracks, which were produced using a wide range of old and
new synthesizers, including a huge A100 System. The album is available as
download or as limited edition CD (only 300 copies).
You can check it out here:
http://carpesonum.bandcamp.com/album/comm
http://www.dron.de
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Gusgus
open air live in Barcelona 2015
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Interview
with Dieter Doepfer |
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A-100
Tutorials |
Video tutorials by Raul Pena:
Doepfer A101-2 LPG Modes Intro: http://www.youtube.com/watch?v=pDzjCjrEjs8
Doepfer A101-2 Low Pass Gate-VCA Mode: http://www.youtube.com/watch?v=ZEwiDnk--tI
Doepfer A101-2 Low Pass Gate-Combined Mode: http://www.youtube.com/watch?v=5LrlNuIIeu4
A110 Features and Functions: http://www.youtube.com/watch?v=E2BV4iYBpOY
A110 VCO/A145 LFO Frequency Modulation: http://www.youtube.com/watch?v=wqWj_LX5SKE
A110 VCO/ A145 LFO-More Frequency Modulation: http://www.youtube.com/watch?v=nRJcVLqQ4p4
A110 Waveforms and Pulsewidth demonstration: http://www.youtube.com/watch?v=yq1Re-Zu9tw
A110 VCO /A145 LFO-Pulse Width Modulation: http://www.youtube.com/watch?v=r51sglRpnrE
A110 VCO /A145 LFO- More Pulse Width Modulation: http://www.youtube.com/watch?v=a2yi58uCEkg
A110 filtering with A101-2 and A120 intro: http://www.youtube.com/watch?v=QmrB9EOVgb8
A110 filtering with A101-2 LPG: http://www.youtube.com/watch?v=qBt7wozgjjg
A110 More filtering with A101-2 LPG: http://www.youtube.com/watch?v=Ncx6t6XZu-U
A-114 Ring Modulation of Basic Waveforms: http://www.youtube.com/watch?v=dhwj-rqo_B8
A-114 More Ring
Modulation: http://www.youtube.com/watch?v=P_nAmESsO0k
A-114 Further Modulations: http://www.youtube.com/watch?v=U4-euXzSojQ
A118 Filtering with A120 VCF Low Pass Filter Part One: http://www.youtube.com/watch?v=vin9o4GpJs8
A118 Filtering with A120 VCF Low Pass Filter Part Two: http://www.youtube.com/watch?v=9ZxRsxPLuI4
A-127 Introduction: http://www.youtube.com/watch?v=E1qLu8oqhvg
A-127 Modulation: http://www.youtube.com/watch?v=gkMVO5TsPSA
A-127 More Modulation: http://www.youtube.com/watch?v=aJcfY4eCIQQ
A-127 Audio Rate Modulation: http://www.youtube.com/watch?v=Nv7M03m4QDU
A-131 VCA
Intro: http://www.youtube.com/watch?v=MivzVdpz5Dg
A-131 Processing CV with A-131 EXP VCA Part One: http://www.youtube.com/watch?v=DIdWbrbkSD8
A-131 Processing CV with A-131 EXP VCA Part Two: http://www.youtube.com/watch?v=a9qSw_-lz3Q
A-131 Amplitude Modulation with A-131 EXP VCA: http://www.youtube.com/watch?v=-kyQV1CEpIQ
A140 ADSR Envelope Generator Part
One-Introduction: http://www.youtube.com/watch?v=lzIKeQLyKy0
A140 ADSR Envelope Generator Part Two: http://www.youtube.com/watch?v=nvK69p7BGuo
A140 ADSR Envelope Generator Part Three-VCO Patch: http://www.youtube.com/watch?v=ysqj0pUgV40
A140 ADSR Envelope Generator Part Four- White Noise Patch: http://www.youtube.com/watch?v=_mI7J7J6ZLE
A-148 Sample and Hold: http://www.youtube.com/watch?v=m9auf7dpMrU
A-148 More Sample and Hold: http://www.youtube.com/watch?v=aHCmndbxyII
A-148 Track and Hold: http://www.youtube.com/watch?v=OwvezSuVvm4
A-148 More Track and Hold: http://www.youtube.com/watch?v=djv9RMvsRDc
A-148 Track and Hold Vs. Sample and Hold: http://www.youtube.com/watch?v=KvjiKzBaTAs
A-148 Sample Rate Reduction using T/H and S/H: http://www.youtube.com/watch?v=_on8klFYUY0
A-148 Using other Waveforms in T/H and S/H: http://www.youtube.com/watch?v=aX7k9UPQJ2M
A-149-1 Quantized Random Voltages http://www.youtube.com/watch?v=l59lAQ0ihmI
A-149-1 Stored Random Voltages http://www.youtube.com/watch?v=3XuZL4nYBs0
A-149-1 Modulation of Quantized and Stored Random Voltages http://www.youtube.com/watch?v=c4Tqn7QoDHA
A-156 Basics: http://www.youtube.com/watch?v=tGpT84ctWR4
A-156 Modes of Operation: http://www.youtube.com/watch?v=WV5onpFdn74
A-156 Modes of Operation Part Two: http://www.youtube.com/watch?v=3Vl2JD9U2E0
A-156 More CV Sources, Transposing, and triggers: http://www.youtube.com/watch?v=APPU7dY3WsM
A-156 More CV Sources, Transposing, and triggers Part Two: http://www.youtube.com/watch?v=tU42jwe2DOw
A-188-x BBD Basics: http://www.youtube.com/watch?v=G8fKvbutgds
A-188-1 part 1: http://www.youtube.com/watch?v=m3QXgRBdptQ
A-188-1 part 2: http://www.youtube.com/watch?v=nh2o7H5UE8E
A-188-1 part 3: http://www.youtube.com/watch?v=PulaMQLm13w
A189-1 VControlled Bit Modifier Basics: http://www.youtube.com/watch?v=WOtXtgzDiug
A189-1 VC Bit Modifier-Bit Crushing: http://www.youtube.com/watch?v=GwQJb9Lmfk4
A189-1 VC Bit Modifier Demo-Sample Rate: http://www.youtube.com/watch?v=Bb9t8fbRxgY
A189-1 VC Bit Modifier Demo-Bit Crushing: http://www.youtube.com/watch?v=4eg9EnaumGo
A189-1 VC Bit Modifier Demo-Sample Rate: http://www.youtube.com/watch?v=e95H-MjJrN0
A189-1 VC Bit Modifier Processing CV Part 1:A189-1 VC Bit Modifier: http://www.youtube.com/watch?v=nMpYCPltJdw
A189-1 VC Bit Modifier Processing CV Part 1:A189-1 VC Bit Modifier: http://www.youtube.com/watch?v=TqTUV4Ob2Y4
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A-100
Convergence |
The website http://soundcloud.com/groups/doepfer-convergence
contains music that was made mainly with A-100 Analog Modular
System.
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Videos with A-100 |
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SOUND
ON SOUND Modular Synths Report |
 |
Overview of Modular
Synths as of spring 2009 in the April 2009 issue of Sound
on Sound
Editor's choice: A-100
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Interview's Parallel Worlds
|
 |
There is a new Parallel Worlds extensive
interview on the Analogue Haven website including many studio and
analogue modular synth photos: www.analoghaven.com/bakis
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 |
Interview: Online interview with
Parallel Worlds in Electronic Musician Magazine
The full interview
with Parallel Words on the US Electronic Musician magazine is
now online:
http://emusician.com/tutorials/modular_odyssey
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